Лоренс Крамер "Гул мира: философия слушания"

8

См.: Marcus S., Best S. Surface Reading: An Introduction // Representations. No. 108. 2009. P. 1–21.

9

Подробнее см.: Expression and Truth. Op. cit.

10

Interpreting Music. Op. cit. P. 52–60.

11

Пер. Люпуса.

12

Пер. А. Кудрявицкого.

13

См.: Jay M. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley; London: University of California Press. 1994.

14

Пер. Т. Стамовой.

15

См.: Kant I. Critique of the Power of Judgment / trans. P. Guyer and E. Matthews; ed. P. Guyer. Cambridge; New York: Cambridge University Press, 2000. P. 203–207.

16

Sterne J. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press, 2003. P. 15–18.

17

Гегель Г. В. Ф. Эстетика: в 4 т. Т. 1. Лекции по эстетике: Введение / пер. Б. Г. Столпнера.

18

Там же. IV

19

Cater J. P. Electronically Speaking: Computer Speech Generation. Indianapolis: Howard M. Sams, 1983. P. 72–74.

20

Leppert R. Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film. Berkeley; London: University of California Press, 2015. P. 119.

21

Habermas J. Modernity – An Incomplete Project / trans. S. Ben-Habib // The Anti-Aesthetic: Essays on Postmodern Culture / ed. H. Foster. New York: New Press, 1983. P. 3–15. V